231 results where found for «You Can Blame Me»


Future (Futuro)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
« The dream of the political prisoner was to regain freedom. All of us would feel joy when one of us was about to be released from prison, although it far from easy to see a comrade depart. Even less so for those who suspected they would never enjoy that privilege. »
[...]
« that can’t stand a world without it »
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Song of the Disappeared (Canción del desaparecido)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
Experience in:
« Several of my friends and comrades disappeared after being arrested. The dictatorship denied knowledge of their whereabouts but I knew they were lying. »
[...]
« of what I am talking about and I can prove it. »
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The Man Who Transformed into an Animal (El hombre que se convirtió en animal)

Music piece by:
Sergio Vesely
Testimony by:
Sergio Vesely
« I wrote this song shortly after reading Franz Kafka’s The Metamorphosis, one of the books that circulated in Camp Melinka from hand to hand and cabin to cabin. »
[...]
« cleaned the cannon barrel »
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Run Run Went up North (Run Run se fue pa'l norte)

Music piece by:
Violeta Parra
Testimony by:
Ernesto Parra Navarrete
Experience in:
« Run Run... On the big pitch, mild summer weather was in the air. »
[...]
« the last hurricane »
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Futuristic Anthem (Himno futurista)

Music piece by:
unknown
Testimony by:
Patricio Polanco
Experience in:
« In 1973 and 1974, Pisagua was characterised by the harsh and cruel treatment of political prisoners. Singing was mandatory for prisoners, who were guarded by Army platoons, and it was also a means to avoid beatings and collective mistreatment. »
[...]
« and candy rocks and jam »
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A Million Friends (Un millón de amigos)

Music piece by:
Roberto Carlos
Testimony by:
Pedro Mella Contreras
« I was arrested when I was 32 years old, along with approximately 23 other people. »
[...]
« so I can sing louder »
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Song to the Pampa (Canto a la pampa)

Music piece by:
poem by Francisco Pezoa Astudillo set to music by Quilapayún
Testimony by:
Renato Alvarado Vidal
Experience in:
« The first song that we managed to sing was Quilapayún's setting of the poem Canto a la Pampa (Song to the Pampa), by the anarchist poet Francisco Pezoa Astudillo, which recounts one of the bloodiest episodes of the class struggle in Chile: the massacre of the Santa María school in Iquique in December 1907. The prisoners of the large Room 13 of Cuatro Álamos camp sang it complete and as a chorus around February 1975. »
[...]
« Song to the Pampa (Canto a la pampa) »
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From the Poplars I have Come, Mother (De los álamos vengo, madre)

Music piece by:
Juan Vásquez
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, November 1973 - February 1974
« Los de Chacabuco, a band created and conducted by Ángel Parra, performed this traditional Spanish song at the Chacabuco concentration camp. »
[...]
« This is one of several Spanish Renaissance songs the group included in its repertory, unlike other songs that originated from Chilean or Latin American folk traditions. »
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Captive Quena (Quena cautiva)

Music piece by:
Claudio Durán Pardo
Testimony by:
Claudio Durán Pardo
Experience in:
Campamento de Prisioneros, Tres Álamos, September - December 1975
« I first laid my hands on a quena when I was nine years old. It was resplendently fragile and lyrical. My passion for this instrument was immediate, or rather, the quena chose me. »
[...]
« The message more or less said the following: 'Tell the man who’s playing the quena, which from here can be heard clearly. . . to continue playing'. »
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Chacabuco’s Soul (Alma de Chacabuco)

Music piece by:
Ángel Parra
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, November - December 1973
« This is the original version of a composition by Ángel Parra at Chacabuco, as secretly recorded at the prison camp during his farewell concert. The composer’s voice can be heard. »
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